Cellista

Cellista is an American experimental cellist and multidisciplinary artist. Her penchant for performing music in unconventional spaces, and her devotion to collaborating with artists across media and genres disrupts the world of the classical performing arts. Cellista traverses the walls between disciplines and the borders between spectator and audience. She etches out her own niche through her performances of captivating theatrical recitals by interweaving film, text, and dance. Her work is deeply rooted in her musicological studies of Olivier Messiaen and the French Surrealists.

Cellista’s sound brims with a dissidence informed by her classical foundation and her want to tear that very foundation apart. It explores the sounds of her immediate community through sound collages and music curated to augment that community. Similarly, it explores the meeting point of musical borders and gives testimony to the fragile ecosystem of the San Francisco Bay Area that sits alongside the rest of the world in an increasingly vulgar epoch.

As an experimental cellist, performance artist and artistic director of the interdisciplinary performing arts group Juxtapositions, Cellista is known for her collaborations with artists across various media, as well as her self-produced stage poems (live performances staged in unconventional spaces that incorporate elements of music, theater, improvisation and visual art across a range of genres including pop, hip-hop, classical and more).

Her interdisciplinary exhibit ‘The End of Time’ premiered alongside internationally renowned visual artist Barron Storey’s solo exhibit ‘Quartet’ at the Anno Domini art gallery in San Jose, California. The dual exhibition, created in tribute to French composer Olivier Messiaen’s seminal chamber work ‘The Quartet for the End of Time’, was met with critical acclaim.

Cellista has worked with Grammy-nominated artist Tanya Donelly, producer John Vanderslice, Troyboi, Don McLean, Casey Crescenzo, Van Dyke Parks, and Pam the Funkstress. She recently joined soprano Carla Canales for Hear Her Song, a project that promotes women’s voices through original compositions by female composers. Under the musical direction of Kurt Crowley (Broadway’s Hamilton), her playing was praised.

Cellista’s debut 2016 full-length album ‘Finding San Jose’ was engineered by Maryam Qudus (Doe Eye). The album and its subsequent release as the soundtrack for an interdisciplinary ballet directed and produced by Cellista received favorable reviews.

“Transfigurations’  released on May 31, 2019, both digitally and on CD.

  1. Transfigurations (2019)
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